심리학의 원리/심리학의 원리two
심리학의 원리/심리학의 원리two
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What in all probability stays true, even so, is that the majority Gentlemen Have a very considerably less auditory and a more articulatory verbal creativeness than These are apt to be familiar with. The experiment proves how dependent our verbal creativeness is on true emotions in lips, tongue, throat, larynx, etc. The generally-received thought is that it is just a milder degree of a similar system which befell once the thing now imagined was sensibly perceived. Trust me, who For lots of a thousand yr The exact same tough meat have chewed and tested, That through the cradle for the bier No man The traditional leaven has digested! In favor with the sensationalistic or nativistic check out of 1 this sort of circumstance, begin to see the vital paper by Von Kries, Archiv f. After we occur to study hallucinations inside the chapter on Outer Notion, we shall see this is certainly not a matter of rare event. A man blind of his visual Mind-centres can no far more see darkness out from the areas of his retina which happen to be related Together with the Mind-lesion than he can see it out with the pores and skin of his again.
The most vivid touch-images come when we ourselves barely escape local injury, or when we see another injured. It would seem that in such a case the neural process corresponding to the imagination must be the entire tract concerned in the actual sensation, even down as far as the retina. Life somewhat better might content him, But for the gleam of heavenly light which Thou hast lent him: He calls it Reason--thence his power's increased, To be far beastlier than any beast. So far as I know there is only one other published report of a similar experience. Enter not so stall-fed quite, Like elephant-calves about one! A few monographs by competent observers, like Stricker, about their own peculiarities, would give much more valuable information about the diversities which prevail. Moreover there are no facts which oblige us to think that, within the occipital cortex, one part is connected with sensation and another with mere ideation or imagination. To most people the image is at first 'thick,' as the sound of the word would be if they tried to pronounce it with the lips parted. So of a baby crying in a distant part of the house, we are uncertain whether we still hear it, or only imagine the sound.
A good way of bringing The problem to consciousness is proposed by Stricker: Partly open your mouth and then think about any phrase with labials or dentals in it, like 'bubble, 'toddle.' Is your picture less than these conditions distinct? The movements of articulate speech Perform a predominant aspect in his psychological lifetime. I will play the comedy with art. The enigmatic studies with the influence of magnets and metals, even whenever they be because of, as many contend, to unintentional suggestion on the operator's aspect, absolutely contain hyperæsthetic notion, for that operator seeks at the same time as is possible to conceal The instant if the magnet is brought into play, and yet the topic not just finds it out that minute in a way obscure, but could create consequences which (in the initial occasion definitely) the operator didn't expect to find. The boy participating in 'I spy,' the criminal skulking from his pursuers, the superstitious man or woman hurrying through the woods or earlier the churchyard at midnight, the man missing within the woods, the Female who tremulously has designed an evening appointment along with her swain, all are matter to illusions of sight and sound which make their hearts defeat until They are really dispelled.
THE NEURAL PROCESS WHICH UNDERLIES IMAGINATION? This is inexplicable if the imagination be simply a weaker excitement of the sensational process. The truth seems to be that the cases where peripheral sense-organs are directly excited in consequence of imagination are exceptional rarities, if they exist at all. In persons whose auditory imagination is weak, the articulatory image seems to constitute the whole material for verbal thought. What you have no idea of you cannot miss; and their not definitely missing this great region out of their sight seems due to the fact that their very idea and memory of it is lost along with the sensation. A statistical inquiry on a large scale, into the variations of acoustic, tactile, and motor imagination, would probably bear less fruit than Galton's inquiry into visual images. Now we know that currents usually flow one way in the nervous system; and for the peripheral sense-organs to be excited in these cases, the current would have to flow backward. Were there centres for crude optical sensation below the cortex, the patients in these cases would still feel light and darkness.